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Written by: Roseanne Barr (character), Matt Williams (series creator), Chuck Lorre & Jeff Abugov (teleplay)
Directed by: John Whitesell
Starring: Roseanne Barr, John Goodman, and Laurie Metcalf
Reviewed by: Brett Gallman (@brettgallman)
"He's dressed up as a witch. Witches are girls."
"This is the 90s, Dan, witches are women."
"This is the 90s, Dan, witches are women."
For an entire generation raised on 80s/90s sitcoms, one destination is synonymous with Halloween: Lanford Illinois, home of the Conner family from Roseanne, the groundbreaking sitcom that offered a stark, honest portrayal of blue-collar America. More than that, it also provided a yearly glimpse into a very specific form of middle class Halloween Americana, something that was particularly crucial for yours truly. For someone raised far from the suburbs and without any chance of experiencing a “traditional” Halloween, Roseanne’s annual episodes allowed me to live vicariously through a world full of deranged pranks, elaborate (and gross!) costumes, trick or treating, parties, and haunted houses. Maybe this was an idealized, sitcom version of Halloween, but it was—and still is—real to me, damn it. I had to believe that other folks out there treated Halloween like an honest-to-god event and went all out for it, if only because that was never my own experience.
And while everyone always instinctively (and rightfully) praises “Boo!”, the shows’ first Halloween outing, I’m here to throw a little love to its first sequel, “Trick or Treat,” a third-season episode that aired just as the show was really hitting its stride. Yes, “Boo!” features the legendary “Tunnel of Terror” and an abundance of incredible pranks and gags, but “Trick or Treat” ups the ante with more elaborate sights and sounds while also threading in the show’s trademark progressivism.
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Of course, what’s also comforting is Roseanne’s ahead-of-its time progressivism, something else that would have been totally alien to someone raised in the south. As cool as the Lodge, costumes, and pranks are, the absolute best thing about this (and many other) episodes is the way it embraces the era’s growing liberalism: Dan realizes he’s being a jerk about DJ’s costume and later has no qualms about playing along with Roseanne’s gag at the Lobo, thus cementing his place as arguably the best TV dad. I loved that man as if he were one of my actual family members, which is why I can’t wait to see what he’s been up to (and how he apparently cheated death) when the show returns next year. I also can’t wait to see how the Conners are still celebrating Halloween: surely they wouldn’t bother to put on a revival without giving us one more glimpse of their festivities, right?
(In fact, if I were in charge, I’d put on the revival More American Graffiti-style: each episode would be set on the various Halloween nights since the show went off the air, allowing us to see what the Conners have been doing throughout the interim.)
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