Halloween III (1982) [Collector's Edition]

Author: Brett Gallman
Submitted by: Brett Gallman   Date : 2012-08-25 07:04
{_BLOCK_.MAIN.PAGE_ADMIN}




Halloween III: Season of the Witch (1982)
Studio: Shout Factory
Release date: September 18th, 2012

Reviewed by: Brett Gallman



The movie:

I’ve been banging the drum pretty loudly for Halloween III for a long time. Four years ago, I wrote a review that went to bat for it, and I’ll let that stand and won’t spend too much time waxing poetic about a movie that features killer Halloween masks. But it can’t really be said enough--this film, much maligned for years due to its black sheep status in the Halloween franchise, is a great horror throwback. Taking its cue from Invasion of the Body Snatchers, it’s a moody pod movie that sees Tommy Lee Wallace take a shot at impersonating John Carpenter--and totally, completely succeeding.

The secret to Halloween III--and early Carpenter, for that matter--is the restraint Wallace brings to the proceedings. It’s a film that flows with a steady hand guiding it, and Wallace terrifically establishes a creeping terror that diffuses throughout, from the sinister Silver Shamrock jingle to the desolate town of Santa Mira. At its center is a sinister plot that continues to explore the darker side of the title holiday; part two introduced the concept of Samhain, but part three is the real deal, the ancient blood ritual writ large into this weirdly trenchant look at a Reagan Era America on the verge of being destroyed by its own willing consumption of mass goods and media.

Sometimes, I think Season of the Witch might be the best sequel in the whole bunch; it’s certainly the only one that I make sure to watch every year in October, perhaps because it taps into the spirit of the holiday better than any of the films besides Carpenter’s original. It’s steeped in the ancient lore and mysticism of Halloween, the really scary roots that got dug up as the old rituals become commoditized into masks and candy. In many ways, Halloween III is a rejoinder against the commercialization of culture and a prescient warning against diluting horror. Just as Michael Myers gave the boogeyman form, Conal Cochran and Silver Shamrock represent the ghosts of our primal past come back to haunt us. In the end, we’re still just savages, only this time, the ritual will be televised.

The disc:

As with any black sheep, Halloween III hasn’t been treated well over the years on DVD. Both Goodtimes and Universal released it once apiece, with the latter at least having the decency to give the film an anamorphic transfer. For years, fans have clamored for a proper special edition treatment, and Shout Factory is finally delivering it via their Scream Factory label. Along with Part II, Season of the Witch is a debut title for this new label, and the release is a fine one that gathers the cast and crew to discuss the film and its legacy.

The centerpiece of the bonus material is “Stand Alone,” a 30 minute retrospective featuring just about any noteworthy person associated with the film, including Wallace, Tom Atkins, Stacey Nelkin, Brad Schacter (the ill-fated “Little Buddy”), Dean Cundey, Alan Howarth, Dick Warlock, and Irwin Yablans, who is again very candid about the film’s conception. You no doubt know the story by now--following Halloween II, John Carpenter and Debra Hill decided to turn the series into an anthology simply centered around the holiday in the hopes that it would turn into an annual venture. Yablans disavows any involvement with the idea since he thought it was ill-advised, so he only served as a figurehead.

That’s sort of the through-line for the mini documentary, as the cast and crew discuss how it seemed like a great idea until it became clear that audiences expected a more traditional follow-up with Michael Myers. As such, the film of course languished as the odd one out in the series and was dismissed for several years, much to everyone’s dismay. Wallace especially seems disappointed for obvious reasons--this was his first feature film, and it’s a movie he obviously believed in; while he’s not even close to coming off as bitter, you can feel a sense that he knows what so many of us have known: that he made a damn good movie that got the short end of the stick due to its reputation.

As such, it’s nice for him to find a bit of redemption, as the documentary eventually explores how the film has been recovered as a cult favorite. Wallace and his crew seem genuinely appreciative that fans have taken a liking to the film since its release, and it’s cool to see footage of a screening from a couple of years ago where the director was in attendance to witness that appreciation firsthand. Wallace seems like a truly great guy who probably deserved better than to be stuck with bad sequels and TV work for most of his career (though IT is certainly one of the better TV horrors of all-time).

In between the discussion of the film’s conception and legacy is its development, with everyone recounting their own little anecdote relating to the production. Wallace especially delves into the pre-production stuff and reveals that his sole writing credit is a bit of a farce, while Atkins and Nelkin recall their experiences (particularly their now somewhat infamous love scene). It’s also fun to see Atkins himself kind of taking the piss out of the Dan Challis character in the same way fans have over the years, noting his womanizing prowess and his penchant for six-packs.

Despite only being 30 minutes long, this little look back is quite comprehensive and gives one the sense that there was a familial bond among the crew especially, as many of them had worked together on previous Halloween films. It’s almost impossible to think that, just 30 years ago, a major studio basically just handed off a property to a little guerilla crew and let them do what they want with it. Unfortunately, Universal eventually sold the film a little short and doomed it to its fate at the box office.

However, at least they had the good sense to finally hand it off to a company that’s done it a little justice on DVD and Blu-ray; in addition to the retrospective, both Wallace and Atkins provide feature commentaries, while the typical promo stuff also shows up (TV and radio spots, a trailer). Sean Clark provides another episode of Horror’s Hollowed Grounds and takes us through both the Southern and Northern California locales used for the shoot. While bombing around Sierra Madre, Clark once again bumps into Robert Rustler, thus confirming that this must be a recurring gag for this series, which puts me at ease because I was beginning to think Rustler was stalking Clark and his crew.

Anyway, Wallace also drops by when Clark heads up to Loleta, which served as Santa Mira in the town, and it’s still the same old eerie, desolate little town it was 30 years ago. Just about all of the buildings used in the film’s have changed or are dilapidated, including the Silver Shamrock factory, but it’s cool to see Wallace take a trip down memory lane.

Basically, this is the Halloween III release you’ve been wanting for years, and it’s even hitting Blu-ray--there are still beloved sequels from other 80s franchises that can’t even claim that yet. This is a lovingly crafted release, right down to the gorgeous new artwork, which can still be flipped around to display the original poster art. That striking image was once considered a blight on video shelves, as it was the one that represented "the one without Michael Myers." Now, though, I think we're all pretty proud to display it in our own collections. Buy it!
comments powered by Disqus Ratings: